About myself

“See Art Anew — where science, society, and imagination meet.”

My work investigates how individual behavior, social structures, and physical laws operate within shared systems. Drawing from my academic background in chemistry, informatics, and sociology, I approach painting as a visual modeling process—where signals, frequencies, and symbolic forms function as indicators of systemic interaction rather than as narrative illustrations. The compositions are built through layered abstraction, combining geometric structures, chromatic fields, and recurrent symbolic units. These elements operate as variables within a closed environment: they suggest cause and effect, equilibrium and disruption, emergence and decay.

Rather than representing specific events, the works propose visual frameworks for understanding how complex systems—biological, social, or informational—self-organize and respond to internal and external forces. Ambiguity is not used for mystification, but to reflect the probabilistic nature of human and social behavior. My current practice focuses on unifying individual works into coherent bodies that function as visual ecosystems. Each exhibition is conceived as a system in itself, where meaning arises through relational viewing rather than isolated interpretation.